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As controversial poll shows, what critics like isn’t necessarily what audiences want
December 05, 2022
Article at NJArts
Prestigious but not profitable: Some of the year’s best films have struggled to find an audience
November 21, 2022
Article at NJArts
An American Ballet Story
November 14, 2022
Article at Film Racket Movie Reviews
Spielberg’s ‘The Fabelmans,’ Gray’s ‘Armageddon Time’ reveal much about their directors
November 11, 2022
Article at NJArts
James Bond is forever: In year of franchise’s 60th anniversary, many future paths are possible
November 02, 2022
Article at NJArts
Arranged Marriage
October 22, 2022
Article at Film Racket Movie Reviews
The Garden State is the Horror State, at least in terms of movies
October 19, 2022
Article at NJArts
Murder, Anyone?
October 18, 2022
Article at Film Racket Movie Reviews
Movie theater memories (readers’ responses to Stephen Whitty’s column)
October 11, 2022
Article at NJArts
‘I wanted to keep it sweet,’ says Tom Malloy of his new rom-com, ‘Ask Me to Dance’
October 05, 2022
Article at NJArts
Ask Me To Dance
October 03, 2022
Article at Film Racket Movie Reviews
Even in the Age of Netflix, theaters still offer the best way to experience movies
October 03, 2022
Article at NJArts
You Resemble Me
September 24, 2022
Article at Film Racket Movie Reviews
I’ll Find You
September 20, 2022
Article at Film Racket Movie Reviews
Everybody Dance
September 20, 2022
Article at Film Racket Movie Reviews
‘Blonde’ disappoints despite fine performance by Ana de Armas as Marilyn Monroe
September 15, 2022
Article at NJArts
Phiphen Studios in Englewood Cliffs created for filmmakers, by filmmakers
September 12, 2022
Article at NJArts
The Valet
August 26, 2022
Article at Film Racket Movie Reviews
Forbearance
August 22, 2022
Article at Film Racket Movie Reviews
Sunspot
August 22, 2022
Article at Film Racket Movie Reviews
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