Martin Guerre – The Old VicMartin Guerre continues at The Old Vic, London until 31 October 2026.Star rating: three stars ★ ★ ★ ✩ ✩In the month that the English language version of Les Misérables celebrated its 41st birthday, Alain Boublil and Claude-Michel Schönberg’s poorly… Oct 21 26October 21, 2026Article at Musical Theatre Review
Cie Omar Rajeh & Maqamet: Dance is Not For Us – Barbican, LondonChoreographer: Omar Rajeh Omar Rajeh, founder of the Beirut International Platform of Dance, bases his choreography in the practice of maqam, a technique that plans each piece’s narrative but does not prescribe individual movement. Rather than treating the body as having a single centre of gravity, each component has its own centre, and Rajeh considers Oct 17 26October 17, 2026Article at The Reviews Hub
Barnum: The Circus Musical – New Wimbledon Theatre, LondonMusic: Cy Coleman Lyrics: Michael Stewart Book: Mark Bramble Director: Jonathan O’Boyle When it comes to a musical version of the life of Phineas Taylor Barnum, there is an elephant in the room – and we’re not talking about the large puppet that Sep 30 26September 30, 2026Article at The Reviews Hub
Chicken Dropping – Hen & Chickens Theatre, LondonWriter: Dongmeng Chen Director: Zhaoyi Ying Ming and Yifei have a beautiful house with an ocean view. Their happy life, where schoolteacher Ming loves to cook breakfast for the couple before Yifei heads off to her financial job, is threatened when Sep 29 26September 29, 2026Article at The Reviews Hub
Big Girl Pants – Lower Marsh Arts Club, LondonWriter: Lynn Beaumont Director: Charlotte Beaumont Lynn Beaumont met her husband Richard while they were both working on a production of Joseph and the Amazing Technicolor Dreamcoat, but her telling of their life together starts at the end, as she Sep 27 26September 27, 2026Article at The Reviews Hub
Judgment Day – Old Red Lion Playhouse , LondonWriter: Ödön von Horváth, translated by Christopher Hampton Director: Matilda Ziegler Written in 1937, Ödön von Horváth’s Judgment Day is not explicitly about the rise of Nazism in the playwright’s native Germany. Its portrayal of a village that Sep 25 26September 25, 2026Article at The Reviews Hub
Talking People: Sloth – Bush Theatre, LondonCreators: Elina Saleh Franck and Richard Vincent Director: Richard Vincent Improv theatre is by its nature unpredictable. Actors may start with a preconceived idea of their characters and how they relate to each other, but without a script to follow, those assumptions can often change on the spot. Talking People’s five-night residency in the Bush Sep 20 26September 20, 2026Article at The Reviews Hub
The Turn of the Screw – Arcola Theatre, LondonWriter: Morgan Lloyd Malcolm Director: Nicky Allpress Henry James’s novella The Turn of the Screw has encountered numerous adaptations, from the 1961 film The Innocents to Netflix’s 2020 series The Haunting of Bly Manor. There is something endlessly Sep 20 26September 20, 2026Article at The Reviews Hub
Thelma & Louise – Young Vic TheatreThelma & Louise continues at the Young Vic Theatre, London until 24 October 2026.Star rating: four stars ★ ★ ★ ★ ✩When a man is described as a ‘ladies’ man’, all a woman sees is a creep. That disparity lies at the heart of Thelma & Louise, the 1991… Sep 17 26September 17, 2026Article at Musical Theatre Review
Golden Boy – Almeida Theatre, LondonWriter: Clifford Odets Director: Sam Yates American playwright Clifford Odets honed his craft at the height of the Great Depression, in the mid-1930s. The opulence of the 1920s had long since faded into memory, and alongside economic hardship at every turn, the dread of another world war loomed on the horizon. Odets funded his stage Sep 16 26September 16, 2026Article at The Reviews Hub
Camden Fringe 2026: Mary Had it Easy – The Water Rats, LondonWriters: Jean Syamali-Harris and Stanley McElligott Director: Stanley McElligott We’ve all sat through presentations given by people who weren’t really engaged with their topic. Whether that’s bored schoolchildren working on an assignment in which they have no interest, or work colleagues who just want to get through something so that they can get to the Aug 21 26August 21, 2026Article at The Reviews Hub
Death Note: The Musical – Barbican TheatreDeath Note: The Musical continues at the Barbican Theatre, London until 12 September 2026.Star rating: four stars ★ ★ ★ ★ ✩The Japanese supernatural crime manga series Death Note has been adapted into novels, anime series and live action films before… Aug 12 26August 12, 2026Article at Musical Theatre Review
Hit Machine – Soho Theatre, LondonWriter: Jonathan Caren Music: Ben Harper and CJ Harper Additional Music and Lyrics: Khalil Madovi Director: Daniel Bailey The socioeconomic disparity between members of the same family can be a powerful driver for storytelling. In Jonathan Caren’s Hit Machine, successful record producer Wes (Josh Radnor) is playing host to his little brother, Noah Galvin’s Alex, Jul 15 26July 15, 2026Article at The Reviews Hub
The Jonathan Larson Project – Southwark Playhouse BoroughThe Jonathan Larson Project continues at Southwark Playhouse Borough, London until 22 August 2026.Star rating: four stars ★ ★ ★ ★ ✩The musical Rent has become a perennial hit since its debut in the mid-1990s, with a new West End revival due to open… Jul 15 26July 15, 2026Article at Musical Theatre Review
The Guilty – Donmar Warehouse, LondonWriter: Chloë Moss Director: Felix Barrett The people who answer 999 calls and coordinate emergency responses are supposed to be perpetually calm and unflappable, providing a sense of order to what can be the most chaotic of situations. That is not a description one would apply to Joe, Russell Tovey’s operator, in Chloë Moss’s tense Jul 02 26July 02, 2026Article at The Reviews Hub
Evangeline – The GlitchEvangeline was reviewed at The Glitch, London. Jun 26 26June 26, 2026Article at Musical Theatre Review
The Truth – Apollo Theatre, LondonWriter: Florian Zeller, translated by Christopher Hampton Director: Lindsay Posner When the French playwright Yasmin Reza described her play Art – classified as a comedy by audiences, critics, and awards ceremonies – she spoke of it as a tragedy. “Laughter is always a problem… the way people laugh changes the way you see a play.” Jun 25 26June 25, 2026Article at The Reviews Hub
Hot Mess – The Other Palace, LondonMorgan Gregory and Danielle Steers in Hot Mess at The Other Palace, London. Picture: Pamela Raith Hot Mess continues at The Other Palace, London until 6 September 2026. How do you make a musical about how mankind is destroying the world through… Jun 24 26June 24, 2026Article at Musical Theatre Review
Reel Life – Etcetera Theatre, LondonWriters: Ian Chapman Black and Levenka Andrea Director: Tracy Collier The silent film era was perhaps the greatest period for mime and slapstick comedy. Without sound or dialogue, comedy was purely visual. In the similar dialogue-free Reel Life, creators Levenka Andrea and Ian Chapman Black play Algernon and Bruno, a duo of physical comedians. Their Jun 23 26June 23, 2026Article at The Reviews Hub