Austin Film Festival Interview: A Legend Finds Rest in “My Beautiful Grave”Filmmakers Sam Fayed and Orian Williams reflect on Udo Kier’s final role Nov 02 26November 02, 2026Article at austinchronicle.com
Austin Film Festival Interview: The Collecting Instinct in Chasing TimeFilmmaker Chris Gary and watch dealer Adam Golden discuss their new documentary on the allure of the wristwatch Oct 30 26October 30, 2026Article at austinchronicle.com
Austin Film Festival Interview: Horror Turns on the Webcam for RemoteSteven DeGennaro puts Adrianne Palicki into a Zoom whodunnit as this Austin-made techno-chiller has its world premiere Oct 28 26October 28, 2026Article at austinchronicle.com
The Only Living Pickpocket in New York Review: Eulogy for a Dying BreedJohn Turturro is captivating as a petty criminal running out of time Oct 28 26October 28, 2026Article at austinchronicle.com
Austin Author David Brandon Hodge Pierces the Veil With Supernatural MachinesHistorian of the strange opens up his archive of mystical devices in new book Oct 22 26October 22, 2026Article at austinchronicle.com
Wicker Review: The Love That Is Woven in the HeartAlexander Skarsgård is a lover quite literally made for Olivia Colman in this romantic fable Oct 22 26October 22, 2026Article at austinchronicle.com
Clayface Review: Muck and MurderThe DCU makes one of Batman’s most horrifying villains the antihero of his own story Oct 22 26October 22, 2026Article at austinchronicle.com
Wildwood Review: Lovely, Dark, and DeepStop-motion magic from Laika is an ode to family and a love letter to Oregon Oct 20 26October 20, 2026Article at austinchronicle.com
Jason Takes the House of TormentHow Austin’s award-winning haunted house became home to the Friday the 13th slasher Oct 16 26October 16, 2026Article at austinchronicle.com
Rolling Into Fall at the VW HarvestThe annual celebration of the classic car company returns Oct 16 26October 16, 2026Article at austinchronicle.com
Musk Review: The Stench of CorruptionAlex Gibney’s epic documentary pulls apart the myth of the business genius and exposes a more terrifying truth Oct 15 26October 15, 2026Article at austinchronicle.com
You Can See Everything Review: Looking the Wrong WayIn a film that’s supposedly about Theranos fraudster Elizabeth Holmes, Nathan Fielder exposes himself Oct 15 26October 15, 2026Article at austinchronicle.com
Ken Russell’s The Devils Review: The Sacred and the Profane1971’s coruscating attack on power, politics, religion, and hypocrisy feels more pertinent than ever in a new uncut restoration Oct 14 26October 14, 2026Article at austinchronicle.com
AFS Cinema Announces Opening Date and Name for Third ScreenTheatre gets early screening of Paper Tiger, plus 4K restorations of The Color of Money, Marie Antoinette Oct 14 26October 14, 2026Article at austinchronicle.com
Whalefall Review: Rapture of the Not-So-DeepIdiotic twist on Jonah and the whale sinks to embarrassing depths Oct 14 26October 14, 2026Article at austinchronicle.com
Misty Green Review: The Hollywood Dream Dies AgainChris Rock is saved from self-sabotaging his Great Hollywood Movie by the power of Rosalind Eleazar’s performance Oct 13 26October 13, 2026Article at austinchronicle.com
Adam Wingard Unleashes OnslaughtThe Godzilla filmmaker on how the end of his unofficial trilogy of action flicks gets weird Oct 12 26October 12, 2026Article at austinchronicle.com
Rooster Teeth Duo Reunite for Christmas Comedy-Horror Bad ToysBurnie Burns and Matt Hullum mix 80s horror and mythology for a new twist on possessed dolls Oct 08 26October 08, 2026Article at austinchronicle.com
Chasing Blue Hairs: On the Road With Bruce Campbell, Ernie & EmmaThe Evil Dead icon makes an adult movie (not that kind) for people that have really lived a life Oct 08 26October 08, 2026Article at austinchronicle.com
Naza Review: Cold Data, Cold BloodChilling documentary about the Israeli offensive in Gaza reveals how AI and surveillance culture has been used to normalize mass murder Oct 07 26October 07, 2026Article at austinchronicle.com