Just be glad it's 'Godzilla Minus Zero' and not 'Godzilla Divided By Zero,' or the entire universe would collapse.

Greta Gerwig's 'Narnia: The Magician's Nephew' will be Netflix's first major foray into theaters. Better get those tickets ASAP.

IFFBoston Fall Focus returns to the Brattle this weekend for the first installment of their incredible two-part mini-fest. Get pumped.

'Digger' got Tom Cruise into this mess, and Digger won't be able to get him out of it (or give you a refund).

Grab your TimBits and dive into the our Toronto International Film Festival coverage archive, and we’ll see you back at the Lightbox next year.

Robert Pattinson walks the well-paved road to hell as Chris Hansen in Noah Oppenheim's masterful 'Primetime.'

Featuring incredible performances by Rooney and Kate Mara, 'Bucking Fastard' is a funny yet moving tribute to the weird of the world.

Fred Hechinger is the MVP of Andrew Haigh's 'A Long Winter,' a gorgeous adaptation of Colm Toibin's short story.

Featuring incredible performances by Julianne Moore and Paul Giamatti, Jesse Eisenberg's 'The Debut' is a fantastic little comedy.

Eugene Kotlyarenko’s 'Vintage Violence' has some violence, but it has a whole lot of vintage -- vintage Levi's, to be exact.

Takashi Miike serves up some solid action, some amusing asides, and some stomach-churning gore.

Thinking of a movie like Lauren Miller-Rogen’s Babies as a hot-button political statement is bizarre, but such is the weird world we live in currently.

It's a bizarre genre fusion of a biker/greaser gang movie and a covert alien-invasion film, with each making as little sense in context as it does on the page.

Danny Boyle interprets the rags-to-riches story of the UK Sun tabloid as an 'Animal House' slobs-and-snobs battle.

'River' is not going to be the next 'Obsession' or whatever, but it is something fun enough to enjoy at a midnight screening with buds.

'The Unknown' is what happens when you have a decent idea – a body-swap pseudo-horror picture – and absolutely no clue how to stretch it out.

Smartly constructed and propulsive, 'The Surgeon' will be a metaphorical defibrillator for those in need of a good shock.

Jordan Firstman’s 'Club Kid' forgoes depth for surface-level satisfaction, and achieves its goals in a broad crowd-pleasing fashion.

When Martin McDonagh's films lean on his dialogue more than their plotting, they’re typically something worth savoring.

Na Hong-jin's 'Hope' proves that, yes, you don't have to have the best CGI money can buy to make kick-ass sci-fi epics.