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Sam Smith is an unequivocal force for good… by being brilliantly themselves
January 26, 2023
Article at The Big Issue
Plane Review
January 24, 2023
Article at Marc Burrows
Why The Last of Us is the dystopian drama of the post-pandemic era
January 19, 2023
Article at New Statesman
No, JK Rowling isn’t being erased by a book-binder
January 16, 2023
Article at New Statesman
Netflix can’t stop cancelling its best shows – 1899 is proof
January 05, 2023
Article at New Statesman
Prince Andrew: The Musical – can you really make comedy out of anything?
January 03, 2023
Article at New Statesman
Why do people like Graham Linehan keep choosing Twitter as their hill to die on?
December 30, 2022
Article at The Independent
Defensiveness doesn’t suit Nepo Babies
December 22, 2022
Article at New Statesman
Why Charles Dickens’s A Christmas Carol is still so relevant
December 21, 2022
Article at New Statesman
We spent a day streaming bad Christmas movies and this is what it did to our brain
December 21, 2022
Article at The Big Issue
How The Amazing Maurice changed the game for Terry Pratchett
December 15, 2022
Article at The Telegraph
Christmas albums 2022: Who’s a shooting star and who delivered a turkey?
December 09, 2022
Article at The Big Issue
Elon Musk’s Kanye West problem
December 02, 2022
Article at New Statesman
Violent Night Review
November 30, 2022
Article at Marc Burrows
I worked at Twitter for seven years – this is what I want you to know
November 18, 2022
Article at The Independent
Empire of Light Review – LFF 2022
October 24, 2022
Article at Marc Burrows
Shows like The Rings of Power and She-Hulk have been runaway successes – why can’t keyboard warriors admit it?
October 20, 2022
Article at New Statesman
Guillermo del Toro’s Pinocchio Review – LFF 2022
October 17, 2022
Article at Marc Burrows
Bardo: False Chronicle of a Handful of Truths Review – LFF 2022
October 12, 2022
Article at Marc Burrows
God Said Give Em Drum Machines Review – LFF 2022
October 11, 2022
Article at Marc Burrows
