Laurence Vittes

Classical Artists Explore New Multimedia Approaches to Enhance the Concert Experience

Book Review: Cellist Miranda Wilson Explores Her Longtime Journey with Bach’s Cello Suites in ‘The Well-Tempered Cello’

Preparing for a Musical Whirlwind Summer on Cello After a 30-year Break

Girls of the Golden West

Hometown hero Jonathon Heyward returns to Charleston in triumph

Gustavo Dudamel’s first Tristan und Isolde is immersed in Bill Viola’s video

United States Wagner, Tristan und Isolde: Soloists, Los Angeles Master Chorale, Los Angeles Philharmonic Orchestra / Gustavo Dudamel (conductor). Walt Disney Concert Hall, Los Angeles, 15-17.12.2022. (LV) Production: Director – Peter Sellars Visual…

Jazz Cellist Tomeka Reid on Developing Her Own Language of Improvisation

Orchestras and Competitions Rethink the Printed Program

Music Writer Tully Potter on the Importance of Historical Knowledge in Music Performance

Jan Vogler’s ‘The Dvořák Album’ is an Eloquent Celebration of the Composer’s Chamber Music

‘I was falling in love with chamber music all over again’ - Postcard from Napa Valley

Tutti Bassi Create Simple Beauty on ‘Have Cellos Will Travel’

New Conductorships Signal Change in the Orchestral World

Violinist Francesca Dego and Conductor Sir Roger Norrington’s Mozart Concertos Are a Fresh Take Based on Historical Resources

SFCM President David H. Stull on the Pentatone Acquisition and His Vision For the Unique Alliance

Battle of the bands at the Banff International String Quartet Competition

How American and European Classical Music Tastes Develop on Local and Global Levels

6 Tips for Left-Hand Flexibility in the Violin and Viola

Herbert Blomstedt’s Completion of the Brahms Cycle With the Leipzig Orchestra Has a Relaxed Human Touch

Classical Music Learns to Sell Itself by Taking a Page from the Sports Playbook