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1
‘The Sixth Decade: From Paris to Paris’ by the Art Ensemble of Chicago Review: Staying True by Staying Curious
January 24, 2023
Article at WSJ
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‘Louis Wishes You a Cool Yule’ Review: A Very Satchmo Christmas
December 21, 2022
Article at WSJ
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Moor Mother Interview: “I am the instrument”
December 16, 2022
Article at TIDAL
Louis Armstrong: ‘I Don’t Have No Fuckin’ Flag Other Than a Black Flag’
November 20, 2022
Article at The Daily Beast
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Judith Owen: Bold Female Declarations, Without Apology
November 08, 2022
Article at JAZZIZ Magazine
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Living Sky
October 10, 2022
Article at Pitchfork
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Terri Lyne Carrington Interview: Jazz Without Patriarchy, not ‘Women in Jazz’
September 21, 2022
Article at TIDAL
‘Searching in Grenoble’ Review: New Light on Mal Waldron’s Shadowy Genius
September 14, 2022
Article at WSJ
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Regarding Henry: Steven Bernstein Remembers Henry Butler
September 06, 2022
Article at JAZZIZ Magazine
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‘Art Moves Jazz’ by the Quentin Baxter Quintet and ‘Crossroads’ by Charlton Singleton Review: A Charleston Perspective
August 23, 2022
Article at WSJ
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‘Trios: Chapel’ Review: Melody Master
June 25, 2022
Article at WSJ
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‘Nuna’ by David Virelles and ‘Ways of Disappearing’ by Lucian Ban Reviews: Pianists Remake the Past
May 25, 2022
Article at WSJ
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‘Beautiful Dreamer’ Review: Bill Frisell, Chameleon of Jazz
May 20, 2022
Article at WSJ
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Ches Smith and Whit Dickey Reviews: Jazz Drummers as Leaders
May 17, 2022
Article at WSJ
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‘Send for Me’ by Catherine Russell Review: Reinvigorating the Past
April 05, 2022
Article at WSJ
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The Secret Sauce: With “Take Me to the River: New Orleans,” Director Martin Shore Shows How Drums and Love Keep a Storied City’s Culture Fresh
April 02, 2022
Article at JAZZIZ Magazine
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Communing With a Transcendent Album
April 01, 2022
Article at WSJ
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NOLA Says Bye Bye to Robert E. Lee and Hello Allen Toussaint Blvd.
March 27, 2022
Article at The Daily Beast
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The Resilient Hart Beat: Billy Hart Remains a Vital Part of the Jazz Conversation
March 07, 2022
Article at JAZZIZ Magazine
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‘Ghost Song’ by Cécile McLorin Salvant and ‘SAAM (Spanish American Art Museum)’ by Marta Sánchez Reviews: Albums Haunted by the Past
March 02, 2022
Article at WSJ
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