Lacy Baugher Milas

Somehow, it remains one of the most relentlessly entertaining series of the streaming era.

It adds necessary depth and shading to Cathy’s story, thanks to star Florence Pugh’s complicated, layered lead performance.

It’s so satisfying to watch because love isn’t treated as a byproduct of a larger story. It is the story.

A watchable historical epic animated by the sort of contemporary spirit one rarely finds in this genre.

Thankfully, “Ransom Canyon’s” second season course-corrects many of the mistakes of its first.

A pleasant enough eight-episode drama that more than looks the part without ever really challenging its audience.

A pleasant throwback to when adventure-themed television was something major networks still made.

Despite its flaws, this final installment still holds firm to the idea that love, in all its forms, is a radical act.

While we are graced with multiple swoony romantic moments and a dreamy pair of love interests, this isn’t a show about a wallflower finding a partner, but rather a young woman finding herself.

It’s a follow-up that ticks many of the same narrative boxes that made its predecessor so successful.

Allende’s classic is finally given the prestige treatment it has long deserved.

While “The Testaments” may approach its subject matter quite differently, its themes are no less complex.

Even at its most self-indulgent, there’s something genuinely thrilling in watching Tommy Shelby suit back up again.

A look at the career of Emerald Fennell, and the responses to her three films to date.

“The Hunt” is, to put it generously, not very good.