Once more, artist Anne Imhof has established why viewers dedicate hours to sitting with each of her increasingly daring works.

As the ground shifts beneath us, Johanna Fateman writes about the radical practice of one of the most important artists working today.

Johanna Fateman on the art of Barbara Kruger

A manifesto on gender and desire channels would-be Warhol assassin Valerie Solanas – Johanna Fateman

4Columns arts criticism weekly.

Johanna Fateman reviews an exhibition in New York City of Greer Lankton’s eerie, distinctive photography, much of it revolving around the late trans artist’s exquisitely ragtag doll creations.

Johanna Fateman writes about a recent reissue of the photography collection “Carnival Strippers,” by the longtime Magnum photographer Susan Meiselas.

JOHANNA FATEMAN ON THE ART OF NICOLE EISENMAN

Dworkin would become the ur-figure of so-called anti-sex feminism, a contentious term used to characterize feminist opposition to pornography, prostitution, and S&M. Her reputation, forged through thundering speeches and legislative efforts as well

4Columns arts criticism weekly.

4Columns arts criticism weekly.

Johanna Fateman on the art of Niki de Saint Phalle

The Russian guerrilla performance group brings its message of radical feminism to U.S. television.