Director Lance Oppenheim speaks about why 'Primetime' ends not with Robert Pattinson’s Chris Hansen, but with Skyler Gisondo’s Decoy Dan.

Alejandro Inarritu’s meta-comedy riff on 'Doctor Strangelove' isn’t as funny or clever as it thinks it is.

'Forgotten Island' is a bombastic new animated movie from the team behind 'Puss in Boots: The Last Wish,' and it's one of the best animated movies of the year.

Robert Pattinson is a revelation as a distorted, grotesque interpretation of 'To Catch a Predator host' Chris Hansen in the surreal new thriller, 'Primetime.'

Skyler Gisondo talks to Inverse about the influences of 'American Vandal' on the wild new DCU show.

'Hope' was already one of the most unhinged sci-fi blockbusters of the year. Imagine watching it in 4DX.

Everything in LAIKA’s latest fantasy epic, Wildwood, has been painstakingly crafted for the movie. Nothing will be reused.

Poorna Jagannathan and Garrett Dillahunt talk about the explosive climax to the Rushville arc in 'Lanterns.'

'Slow Horses' reaches new levels of maturity and complexity in its sixth season.

'Hope' director Na Hong-jin reveals the original script was "too long and too dense for a single movie."

Director Na Hong-jin explains why the aliens of 'Hope' look that way, what changed since the Cannes cut, and whether he has plans for a sequel.

From classic episodes and movies to underrated gems, comics, novels, fan fiction, parodies, and beyond. These are our picks for the crucial adventures that made Star Trek, well, Star Trek.

'Lanterns' star Poorna Jagannathan spills on the twist behind her character, and why there may be more to Zoe's story.

Writer Tom King reveals the biggest changes to the origins of John Stewart in Episode 3 of 'Lanterns.'

Once canceled, miraculously saved, 'Coyote vs. Acme' is the best live-action animation hybrid of this century, and the best meta-comedy this side of 'Barbie.'

Jacob Elordi brings a soulfulness to Ridley Scott’s somewhat standard post-apocalyptic drama.

'It Ends' director Alexander Ullom talks about the ambiguous ending of his cerebral thriller — at least, as much as he can.

'The Samurai and the Prisoner' director Kiyoshi Kurosawa speaks about why he doesn't consider his movie to be a true mystery film.

A Stephen King-inspired thriller takes a turn for B-movie schlock.

'The Bear' and 'Spider-Man: Brand New Day' actress talks playing Spidey’s police ally, and how locked-down those scripts really are.