Hair and makeup department heads Robert Lugo and Andrea Miller share how Old Hollywood waves, red lips, and smoky eyes reveal clues—and often misdirects—in the Colleen Hoover adaptation.

Production designer Grant Major talks through how the sets of the Netflix adaptation were brought to life in New Zealand.

Chris Trujillo prioritized authenticity, from messy, meme-filled NYPD desks to one-percenter art collections in the Hulu crime drama.

Makeup department head Valerie Jackson used period-accurate products and tools to recreate retro looks on Ivy Wolk, Kaia Gerber, and Homer Gere for the show's "Homecoming" episodes.

Emmy-nominated costume designers of ‘DTF St. Louis,’ ‘Black Rabbit,’ ‘Beef’ and ‘The Beast in Me’ expose the spectrum of midlife reckonings through vintage band T-shirts, tight tank tops, and luxury tailoring.

Costume designer Chloe Karmin discusses how she created a wardrobe charting Bourdain’s evolution from an uncertain, cocky young writer to the cultural icon he would become.

Emmy-nominated costume designers of DTF St. Louis, Black Rabbit, The Beast in Me and Beef expose the spectrum of middle-age reckonings through clothes.

Costume designer Jacqueline Demeterio reveals why the hero looks were ‘tricky’ to create and how the wardrobes amplify the physical comedy in Will Gluck’s rom-com.

Costume designer Christine Wada discusses the fashion references and character intentions behind Anya Taylor-Joy’s and Annette Bening’s wardrobes.

Costume designer Susie DeSanto looked to real-life chefs, culinary influencers, and Nantucket style to craft Jennifer Garner’s character-defining w...

Oscar-nominated designer Ellen Mirojnick on Anne Hathaway's jewel tones, the Bronze Age research behind the armor, and dressing Christopher Nolan's epic.

From tropical prints to a foreboding custom forest mural, production designer Jamie Walker McCall explains how the Apple TV remake's Savannah home...

Makeup and hair department heads Tami Hale and Stefanie Terzo discuss the inspirations and techniques behind Sam Reid’s portrayal of the titular modern-day rock god.

Production designer Meghan C. Rogers renovated John Sugar’s Beverly Hills bungalow with ‘Casablanca’ references and hints toward another twist.

In the "Crazy Rich Asians”-meets- “The White Lotus” Hulu drama, costume designer Vera Chow brings the bold, yet nuanced style of Hong Kong high soc...

Production designer Denise Pizzini built an entire Albuquerque neighborhood and packed the interior of Carol's home with plot-driving Easter eggs.

The creatives behind ‘The Testaments,’ ‘Fallout,’ ‘Murderbot,’ ‘Paradise’ and ‘Pluribus’ reveal how color, tailoring and texture shape worlds defined by control.

Costume designer Caroline Duncan took inspiration from Katharine Hepburn’s Old Hollywood pantsuits for JLo's impeccably composed—and dressed—airlin...

From upper-echelon tailored suits in Pluribus and Paradise to a repressive 1950s dress in Fallout, apocalyptic wardrobes signal social class, strife and modes of survival.

Veteran production designer Steve Arnold foreshadows—and lands the jokes—through maritime décor and analog-era office relics, as well as references