Bee Delores

Mike Flanagan's CARRIE reimagines Stephen King's classic through bullying, queer identity, and self-worth. Bee Delores explores Carrie's transformation from victim to survivor.

Bee Delores watches all 13 HALLOWEEN movies in three days and shares 10 lessons about Michael Myers, underrated final girls, messy sequels, and the franchise's best timeline.

Bee Delores declares Orville Peck's new album, Mule, one of the best albums of 2026.

India Ramey’s ‘Villain Era,’ a fine display of her her singular, Southern gothic songwriting voice, is the Nashville Scene’s 2026 Writers’ Choice for Best Country Ass-Kicking.

LVCRFT taps horror movie icons for 'Skeleton Sam's Deadtime Stories' album.

Maggie Gyllenhaal's 2026 film 'The Bride!,' a reimagining of 'The Bride of Frankenstein,' wraps absurd surrealism around an innately trans story.

MC Taylor, frontman of Hiss Golden Messenger, writes with the kind of fervent simplicity of Joni Mitchell, as evidenced on "Mercy Avenue," the album benchmark from Messenger's latest, I'm People. There’s an honesty to the story about everyday people living, barely getting by, and learning hard truths about life. “Lucy's living in her Cadillac,” sings Taylor. “It smells like ‘Slow Hand’ / Doc says she ain't coming back / Oh, Mercy Avenue's savage. Taylor’s honeyed vocals drip with the wisdom tha

The Cowgays talk "Wish I Wasn't Gay," tour dreams and new single "Good Hoedown."

Catching up with the bewitching songsmith ahead of her album release party at The 5 Spot

A story on Letterboxd.

With recent titles like Weapons and Sinners dominating the box office this year, it seems like the reign of sequels and remakes is coming to a grisly end.

Ryan Coogler’s film undoubtedly proves that moviegoers are hungry for original stories made by Black filmmakers that go much further than skin-deep assessments of history and culture.

After a stratospheric year on the charts and dominating music festivals, the newly minted star may signal a vital turning point in how we treat and identify with celebrities.

In a post-Scream world, it seems slasher fans expect and deserve more from their favorite style of horror. The sub-genre remains reliant on buckets of

Alfred C. Kinsey’s 1948 book “Sexual Behavior in the Human Male” was radical. Laying important groundwork for modern sexology, also demonstrated in 1953’s