Time to learn the next moveNew York — Four women skitter across the floor, arms held with geometric intent. Another lone woman, exuding a quiet radiance, paces at an angle to them, oblivious. “More like this,” explains Terese Capucilli, rising from her seat against a wall of… Nov 24 02November 24, 2002Article at Los Angeles Times
With an Eye on Her LegacyNEW YORK — A flash of long leg arcs over another dancer’s back like a starburst. Three dancers pirouette like cogs, each one’s turn sparked by the other, echoing the spinning themes in the music that’s thundering from the grand piano at one end of… Jun 17 01June 17, 2001Article at Los Angeles Times
Turnabout for a MuseNEW YORK — Carmen de Lavallade looks like somebody’s muse: tall and beautiful, with wide dark eyes open to the world, hair cascading over her shoulders or twisted, in conversation, around an inquisitive finger, radiating an ageless youthfulness. A… Mar 11 01March 11, 2001Article at Los Angeles Times
Rennie Harris The scene is familiar: young men on a city street, dancing. They spin on the axis formed between head and shoulder, flex their arms in sinuous undulations and perform other feats of acrobatics for the crowd. Some people might… Sep 17 00September 17, 2000Article at Los Angeles Times
Tapping the WellspringNEW YORK — “There are people who take tap class, do a tap dance,” says Savion Glover. “And then there are people who know the dance, who know why they take tap classes. Who know why they do 20 shuffles, or 50 shuffles, before they go on.” Sitting in… Mar 28 00March 28, 2000Article at Los Angeles Times
