CRITICAL MASS | OPINION: Why Stephen King’s ‘Carrie’ still feels so modern

Sissy Spacek (left) stars as Carrie White and William Katt is Tommy Ross in Brian De Palma’s 1976 “Carrie,” the film that fixed King’s story in the popular imagination.

I have never been much of a Stephen King enthusiast, although I have read a fair amount of his work for professional reasons over the years. There was always a new novel to review, a movie made from one of the books, a television adaptation, some occasion that required going back to the source. I have never disliked his work and admire his work ethic and what I perceive as his baseline decency, but his subject matter — vampires, haunted houses and hotels, possessed machinery, supernatural children, ancient evils waiting under small towns — is not generally what I would choose to read about on my own dime. This might amount to a failure of imagination on my part, though I don’t think so. Readers have affinities. King’s obsessions have simply not usually been mine.